The Clown Of 12Th Night, Feste Essay Example For Students

The Clown Of 12Th Night, Feste Essay In William Shakespeares Twelfth Night, the character Feste is what you might call a clown. In the script he is sometimes called the Fool, and he may present himself as that. He is the comic relief for the serious scenes, although sometimes he will provide the serious subject matter himself. Feste also seems to somewhat all-knowing. He knew when no one else did that Cesario was a woman. All together, Feste seems to not be intertwined in the story too much, but rather and outsider who observes and makes random appearances when necessary. Feste seems to be a regular fixture in Olivias household. It seems like he has been there a long time and is accepted almost as one of the family. He is welcome with the servants and interacts with them often. Although Feste presents himself as a fool with no problems, you can be sure he is a whole person, who has experienced lifes joys and hardships. For example, in the scene of late night drinking, dancing and singing, Feste sings a song of a woman waiting for her love. He sings it with such passion and feeling, you cant help but think he has been there before. He also has a quick wit and a good sense of humor. Later on in the scene already mentioned, Feste is playing a song on the piano, when suddenly, Malvolio enters. Feste immediately stops playing the song and plays a pompous introduction for Malvolio. Also, when Cesario asks of Feste, Do you live by your music? Feste replies, No, I live by the church. These are just a few examples of the ways Feste exhibits humanity. We will write a custom essay on The Clown Of 12Th Night, Feste specifically for you for only $16.38 $13.9/page Order now The character of Feste is thought of as a fool whose attitude is playful and comical. If I were casting this play, I would probably cast Robin Williams as Feste because I think that is the person to best personify him. They both have and attitude that is very joking and light-hearted. If I were costuming Feste, I would probably put him in bright colors to match his bright demeanor. His clothing would be baggy and tattered. I think Festes actions would be very large and exaggerated. The character Feste in Twelfth Night is very funny and whimsical and attracts a lot of attention. He is farcical and very amusing. The fool is a comic relief that really adds to the play. When William Shakespeare wrote this part in the play he added a whole other dimension that was needed to complete the story. Shakespeare Essays

About Jørn Utzon, Architect of the Sydney Opera House

About Jà ¸rn Utzon, Architect of the Sydney Opera House Any biography of Jà ¸rn Utzon (born  April 9, 1918) will certainly say that his best-known building is his revolutionary Sydney Opera House in Australia. Yet, as a private Dane born in Copenhagen, Utzon created many other masterpieces in his lifetime. He is noted for his courtyard-style housing in Denmark, but he also designed exceptional buildings in Kuwait and Iran. His architecture combines the organic elements of Frank Lloyd Wright with Middle Eastern and Islamic elements.   Jà ¸rn Utzon was perhaps destined to design buildings that evoke the sea. His father,  Aage Utzon (1885-1970), was director of a shipyard in Alborg, Denmark, and was himself a brilliant naval architect, well-known in the area for designing custom-made yachts. Yachting and racing was an activity within the Utzon family, and the young Jà ¸rn became a good sailor himself. The Utzons grew up with sails. Until about the age of 18, Utzon considered a career as a naval officer. While still in secondary school, he began helping his father at the shipyard, studying new designs, drawing up plans and making model yachts. This activity opened another possibility - that of training to be a naval architect like his father. During summer holidays with his grandparents, Jà ¸rn Utzon met two artists, Paul Schrà ¸der and Carl Kyberg, who introduced him to art. One of his father’s cousins, Einar Utzon-Frank, who happened to be a sculptor and a professor at the Royal Academy of Fine Arts, provided additional inspiration. The future architect took an interest in sculpting, and at one point, indicated a desire to be an artist. Even though his final marks in secondary school were quite poor, particularly in mathematics, Utzon excelled in freehand drawing - a talent strong enough to win his admission to the Royal Academy of Fine Arts in Copenhagen. He was soon recognized as having extraordinary gifts in architectural design. While in school, he became interested in the works of architect Frank Lloyd Wright (1867-1959), who would remain influential all of Utzons life. He earned a Diploma in Architecture from the Academy in 1942, and then fled to neutral Sweden during War War II. He worked in the Stockholm office of Hakon Ahlberg for the duration of the War, where he studied the work of Swedish architect Gunnar Asplund (1885-1940), known for what is called Nordic Classicism. Following the War, Utzon had the great opportunity to work with the modernist architect Alvar Aalto at his studio in Finland. By 1949 Utzon had received a grant to travel in Morocco, Mexico, the United States, China, Japan, India, and Australia - a whirlwind world excursion that would eventually inform his architectural designs for years to come.. All of the trips had significance, and Utzon himself described ideas he learned from Mexico. As an architectonic element, the platform is fascinating, Utzon has said. I lost my heart to it on a trip to Mexico in 1949. On the Yucatan he saw land covered by low height, dense jungle. But by building up the platform on a level with the roof of the jungle, says Utzon, these people had suddenly conquered a new dimension that was a worthy place for the worship of their gods. They built their temples on these high platforms, which can be as much as a hundred metres long. From here, they had the sky, the clouds and the breeze.... Utzon remembered this experience as he submitted his design for the Sydney Opera House competition. The next year, in 1950, Utzon returned to Copenhagen, and opened his own practice. Utzons Architecture When looking at the architecture of Jà ¸rn Utzon, the observer notices repeating architectural details - the skylights, the white curves, the appreciation for natural elements, the stationary platform on which Utzon designs may soar. His last project, the Utzon Center in Aalborg, Denmark, opened the year Utzon died, but exhibits the elements he saw throughout his life - the Islamic-like towers, the interior courtyards, the curves and the skylights. The interior of the Bagsvaerd Church, built in 1976, was envisioned with a ceiling of clouds, a sweeping white pillow motif also seen in the 1982 Kuwait National Assembly in Kuwait City and the spiral stairway of the Melli Bank, University of Tehran Branch in 1960 Iran. Yet it is the Sydney Opera House in Australia that has captured the moniker of iconic architecture. The iconic design of the Sydney Opera House complex comes from the shell-shape of the multiple roofs - they are all geometrically part of one sphere. A bonze plaque located onsite visually demonstrates the architectural idea and design solution, who wanted the plaque to explain the spherical concept of the architecture. The key to the shell design is that each shell or sail is an element of a solid sphere. The plaque Inscription tells the story: after three years of intensive search for a basic geometry for the shell complex I arrived in october 1961 at the spherical solution shown here.I call this my key to the shells because it solves all the problems of construction by opening up for mass production, precision in manufacture and simple erection and with this geometrical system I attain full harmony between all the shapes in this fantastic complex.jà ³rn utzon Danish architect Jà ¸rn Utzon was only 38 when he won the competition to build the Sydney Opera House.   The project became the highlight of his career but brought enormous challenges in engineering and building technology. Utzons winning design, submitted in 1957, moved through a complicated process with many adaptations and innovations before the Sydney Opera House officially opened on October 20, 1973. Utzons Legacy Ada Louise Huxtable, an architecture critic and a member of the 2003 Pritzker Prize jury, commented, In a forty year practice, each commission displays a continuing development of ideas both subtle and bold, true to the teaching of early pioneers of a new architecture, but that cohere in a prescient way, most visible now, to push the boundaries of architecture toward the present. This has produced a range of work from the sculptural abstraction of the Sydney Opera House that foreshadowed the avant garde expression of our time, and is widely considered to be the most notable monument of the 20th century, to handsome, humane housing and a church that remains a masterwork today. Carlos Jimenez, an architect on the Pritzker Jury, noted that ...each work startles with with its irrepressible creativity. How else to explain the lineage binding those indelible ceramic sails on the Tasmanian Sea, the fertile optimism of the housing at Fredensborg, or those sublime undulations of the ceilings at Bagsvà ¦rd, to name just three of Utzon’s timeless works. At the end of his life, the Pritzker Prize-winning architect faced new challenges. A degenerative eye condition left Utzon nearly blind. Also, according to news reports, Utzon clashed with his son and grandson over a remodeling project at the Sydney Opera House. The acoustics at the Opera House was criticized, and many people complained that the celebrated theater did not have enough performance or backstage space. Jà ¸rn Utzon died of a heart attack on November 29, 2008 in Copenhagen, Denmark at age 90. He was survived by his wife and their three children, Kim, Jan and Lin, and several grandchildren who work in architecture and related fields. There is no doubt that artistic clashes will be forgotten as the world honors  Jà ¸rn Utzons powerful artistic legacy. The architectural firm he founded, Utzon Associates Architects, is in Hellebaek, Denmark. Sources Biography, The Hyatt Foundation, PDF at https://www.pritzkerprize.com/sites/default/files/inline-files/2003_bio_0.pdfAbout the Utzon Family, https://utzon.dk/utzon-associates-architects/the-utzon-familyJury Citation, The Hyatt Foundation, https://www.pritzkerprize.com/jury-citation-jorn-utzonGouse History, Sydney Opera House, https://www.sydneyoperahouse.com/our-story/sydney-opera-house-history.htm Fast Facts Born April 9, 1918 in Copenhagen, DenmarkInfluenced by Mayan, Islamic, and Chinese architecture; Frank Lloyd Wright and Alvar Aalto; growing up next to a shipyardBest-known as the architect of the Sydney Opera House (1957-1973) in Sydney, AustraliaDied November 29, 2008 in Copenhagen, Denmark

Critical analysis of 2 plays Wilson, Fences and Hansberry, Raisin in Essay

Critical analysis of 2 plays Wilson, Fences and Hansberry, Raisin in the Sun - Essay Example Black people living in the Northern cities also had to deal with a great deal of racism and lack of opportunity. Not as recognized because it was not codified, the boundaries discovered in the Northern cities were sometimes just as harsh as those experienced in the Southern fields. Several of the limitations or boundaries experienced by black people in the Northern towns might have gone largely unrecognized had it not been for bold playwrights such as Lorraine Hansberry and August Wilson willing to capture, as much as possible, their interpretation of the black experience. In â€Å"A Raisin in the Sun† and â€Å"Fences†, both Hansberry and Wilson are able to expose the hidden boundaries their characters encounter as they attempt to achieve a modest version of the American dream. Lorraine Hansberry’s play â€Å"A Raisin in the Sun† attempts to portray a relatively typical black family realistically attempting to cope with the boundaries the American society has placed on them. Opening the way for future writers to blatantly name their experience, the play opened on stage in 1959 and received positive reaction from white and black audiences for its bald realism. The play essentially reveals what happens during the few weeks following the death of the father, Mr. Younger. Mr. Younger (Big Walter) and Mrs. Lena Younger had once hoped of achieving the American Dream as she remarks to Ruth in Act I, scene 1: â€Å"We was going to set away, little by little, don’t you know, and buy a little place out in Morgan Park. We had even picked out the house †¦ Lord, child, you should know all the dreams I had ‘bout buying that house and fixing it up and making me a little garden in the back †¦ And didn’t none of it happen† (Hansberry 45). This conversation occurs because the family is waiting on the delivery of an insurance check in

Human Sexuality Essay Example | Topics and Well Written Essays - 2500 words - 1

Human Sexuality - Essay Example Others are confident that homosexuality contradicts the basic laws of nature. However, more often, such misunderstanding is due to the lack of scientific knowledge and theories regarding the development of sexual orientation in humans. The findings of contemporary research in human sexuality are at least controversial. Whether the orientation is the product of genetic of social influences is difficult to define: the current scientific knowledge does not provide an answer to this question. However, based on everything that has been written and said about the issue under consideration so far, the development of sexual orientation is a complex process that combines the features of genetic and social influences. Contemporary science treats sexual orientation as one of the most popular topics of scholarly research, and the issue of human sexuality is often reconsidered from the different philosophic viewpoints. Today, essentialism and social constructivism are fairly regarded as the two principal perspectives in the analysis of sexual orientation development. If we turn to essentialism, we will find out that the orientation, as well as sexuality, in general, as rooted in intrinsic, biological processes. Put simply, sexual orientation, including homosexuality, is the critical feature of the human nature and is an essential element of the human genetic structure. In their philosophic arguments, essentialists primarily apply to the principles of the evolutionary theory, and claim that â€Å"both human sexuality and sexual orientation are coded in human genes; essentialists also claim that throughout the human history, genes promoted reproduction and survival of humans†.

A Critique On Rene Descartes Ontological Argument

A Critique On Rene Descartes Ontological Argument Of all the recurring questions of Man, one of the most persistent is the question of our origins. Specifically the question of what, if anything, caused us to exist. It has been argued by generations of minds, all seeking the definitive explanation of our existence. One such mind was that of Rene Descartes, a brilliant philosopher of his time, throughout and beyond ours. His ideas on geometry and metaphysics, among others, remain influential upon the thinkers of today. In Meditations, Descartes formulates the framework and guidelines of his First Philosophy or metaphysics, where methodic doubt is used to discern the nature of being and the world. Here he describes how we can derive a reliable method that can definitively determine what is certain and what is suspect, and further apply that method to prove the existence of absolute ideas such as God or mathematics. The methods ground-up approach is supposed to provide for the foundations of certain knowledge, and so it does. Descartes believes that after I call into doubt everything that can easily be relegated as uncertain (such as sense dependent data), I am left with mental ideas of things that I once experienced through the senses. Given that a chairs physical existence may be suspect, my idea of a chair may also be suspect in regard of some aspects such as appearance, yet I cannot suspect the fact that I am thinking of scale, quantity, measurement, space, etc. in providing for my mental image of the chair. Hence for Descartes, there are things that are certain regardless of sense experience and it seems mentally impossibly to conceive of them as false. Given this, Descartes develops his reasoning for the existence of God as an all-perfect being. He does this by beginning with an idea that is considered certain and attributing what makes us feel as if something is certain. In this case he considers something certain as something so clearly and vividly perceived that it cannot be untrue. Here he implies then that for something to be true, I just have to have a clear and vivid idea of it and that alone is enough antecedent for its truth-value. He clarifies this by describing the nature of the mind to have clear and distinct knowledge of certain thing to be true because of its basis in something true that is external from the senses. So, when I distinctly and vividly perceive of something I do so in such intensity because of my recall with the higher form of the idea. Descartes then says that one can know that some properties of these higher idea forms can be known to be true because if I know of ultimate idea of a triangle, when I per ceive its three angles to be equal to two right angles, it must be true because I cannot so vividly perceive it as a triangle unless the ultimate nature of a triangle did not contain the predicate of its three angles being equal to two right angles. So then, a property of a clear and distinct object must be true by the basis of its being perceived as also being clear and distinct. Since the concept of a perfect being implies that it contains its own necessary existence, that is, for it to be perfect it must in itself contain all perfections and by extension all expressions of such. For Descartes, because it is clear and distinct that the idea of a perfect God must hold that God has necessary existence, and that if I have an idea of something and I clearly perceive it to have a property then that thing really has that property, then God must exist because Gods existence naturally follows from Gods conception. The problem with this is that because of Descartes logical framework, all it takes for something to exist in the world is to somehow incorporate the idea of existence into the nature of the concept. Also, because all it takes for it to be true is that that I perceive that existence is part of the concept just enough to be vivid and clear. Such that I could conceive of a chair and it would not exist, but the chair were somehow ascribed with a nature of existence such that the chair has the property of existence, and that I clearly and so distinctly perceived it as such, then it would exist. So then, all it takes to create a chair into existence is to somehow be able to build it to the point that I clearly perceive it to be an existing chair. Clearly, we cannot just go around creating chairs out of thin air, so this must not be the case. So then, it should not be so that I can conclude that a thing is existing in the world just by clearly and distinctly perceiving that existence is par t of the things nature. While there must be something that carries its own necessary existence within itself, it should not be so that I am able to ascribe self-necessity to something, as that defeats its purpose. Another similar problem with the Cartesian ontological argument is that just because one knows a perfect Gods nature as having necessary existence, it does not follow that God is in a state of existence. This is because something that is existing, can not necessarily be in existence as a thing. Given that I were to think of the concept of God, and Gods properties, it follows by Cartesian logic that the only thing I can know to be true is that the existence of the concept God, rather than that God is existing in the world. Therefore, when I think of something, I regard it as existing just by the conception of it, regardless of whether the thing I am thinking of exists as such. So existence does not really add to the idea of something because it already exists as one conceptualizes the idea. It can be seen then that Descartes is sneaking that God is existing in the world, when he can only actually observe that there is a subject such as God, and that God-concept is omnipotent, omniscie nt, self-necessary, etc. in the world. For it would be different if there were ways we could empirically observe that God existed in the world. If God existed in the world, then we would be able to observe that a part of Gods essence is that God is existing since it would be obvious to our senses. Given that God was existing, then there would be more perceivable signs of God interacting with matter that are present, even to the point of having an experience of personally watching God affect matter as it is happening. However this is clearly not the case, for we come to our knowledge of God only through the mind, and our current understanding of the physical world. We know that God, being wholly perfect, must then contain all necessary existence within itself, otherwise it would be dependent on another for its own existence and hence not perfect. Clearly this is a logical deduction, which comes from premises that show our collective conception of what an all perfect being is. In othe r words, all we know is that there is a concept of omnipotence- but not perceive omnipotence in reality, there is such a thing as omniscience-but not perceive of omniscience in reality, etc, and that there is such a concept of God who contains all these things by virtue of conceiving Gods God-ness- but no perceive of God in reality. As shown, this is the case in the world, where we can have no relevant or reliable sensory experiences that can show Gods existing in the real world. So then, Descartes is making a logical leap of assumption when he shows that the basis for Gods existing as the fact that God has necessary existence. In making that assumption, he assumes that when I have the full concept of God in my head, as in the idea of God fully and purely, then I clearly perceive Gods necessary existence, and therefore I am supposed to realize that God exists-just because it seems so real to me. Descartes attributes much weight to the feeling that something is clear and distinct, when as it can be seen that it is not enough to perceive a concept as clear and distinct and immediately assume that the concept exists. After all, one can be clear on a concept, and yet that concept could exist in reality or not. In the same way, from being clear that God as existence per se, we can be clear that the concept God as such exists, not that God is existing. The all-perfect being may in fact exist then, but Descartes ontological argument is not enough to be able to expla in how such a being exists in the world.

The Wisconsin Graduation Test - A Good Idea :: essays papers

The Wisconsin Graduation Test - A Good Idea What is a test? The Webster’s New American Dictionary defines a test as â€Å"a critical examination or evaluation†. The World Book 2000 Encyclopedia defines testing as â€Å"an attempt to measure a person’s knowledge, intelligence, or other characteristics in a systematic way†. The Wisconsin 2004 freshmen will have to take a graduation test in order to graduate their senior year. They have four chances to pass the graduation examination. This paper will explain how the current requirements for graduating compare to the graduation standardized test. Included are the obstacles that are involved with implementing the test, group and individual opinions concerning the graduation test, and a recent survey of people involved with the test. The graduation requirements at most high schools are similar to the graduation test standards in many content areas. To graduate, a student needs to complete four credits of English, three credits of social studies, two credits of mathematics, and two credits of science. (Misky) The four credits of English include instruction in written and oral communication, grammar and usage of the English language, and literature. (Misky) This is similar to the test, which measures reading, literature, writing, language, media and technology, and research and inquiry. (Wisconsin) The three credits of Social Studies cover instruction in state and local government. (Misky) The test includes geography, history, politics, economics, and behavioral sciences. (Wisconsin) The two credits of math provide instruction in the properties, processes, and symbols of arithmetic, and elements of algebra, geometry, and statistics. (Misky) The test contains mathematical processes, number operations and relations hips, measurement, geometry, statistics and probability, and algebraic relationships. (Wisconsin) The two credits of science incorporate Physical science and Life science. (Misky) The test provides science connections, nature of science, science inquiry, Physical science, Earth and Space science, Life and Environmental science, science applications, and science in personal and social perspectives. (Wisconsin) In most cases the categories are equivalent with each other. The categories that fall short will just have to be propelled or altered to fit the test. The decision to have a graduation test or not met with a great deal of resistance. One of the largest problems was the parents’ perspective on the test. The parents didn’t want their kids to take the test because of the high risk of failure. Another problem group was the legislators.

Marketing Environment Essay

Marketing is a organizational function and a collection of processes designed to plan for create, communicate, and deliver value to customers and to build effective customer relationship in ways that benefit the organization and its stake holders. Profits and other organizational goals are achieved by creating value for customers. The creation of value is the realization of benefits that exceed the cost of products, services or other items. One important concept in marketing is the idea of utility. Utility is the satisfaction received from owning or consuming a product or service. In a market sense, utility is the value that marketers intend consumers to attach to that marketer’s product or services. A need is a necessity to meet an urgent requirement. A want is a desire for something that is not essential. Furthermore, demand is the financial capacity to buy what a person wants, for that business’s brand of products or services through marketing activities such as advertising. A brand is a promise to deliver to consumers specific benefits associated with products or services. Marketing influences you as a consumer through your current and future career choices, and through the economy. Marketing extends to a variety of tangible and intangible items; they are products, services, people, places, causes, events and ideas. Marketing concept is an organizational philosophy dedicated to understanding and fulfilling consumer needs through the creation of value. Marketing concept mainly focus on customers relationship. Customer relationship created when businesses and consumers interact through a sales transaction of a product or service. It will refer to customer relationship management (CRM). Marketing functions are activities performed within organizations that create value for specific products or services. In terms of understanding all these theory, we started Butterfly Travel Agency Sdn.Bhd to gain experience and knowledge in marketing as practically. Marketing Environment Marketing environment is a set of forces, some controllable and some uncontrollable, that influence the ability of a business to create value and attract and serve customers. Many factors influence value creation and the nature of customer relationships, including factors that are external to the business. Internal marketing is the implementation of marketing practices within an organization to communicate organizational policies to employees and internal stakeholders. Internal marketing efforts are the business’s resources, including human and financial capital. The external environment of a business involves activities, such as supplier and customer actions, that occur outside the organizational functions of a business. External marketing can be implements into microenvironment and macro environment. Microenvironment (Porter’s Five Forces) The microenvironment includes these forces close to a company, yet outside its internal environment, that influence the ability of a business to serve its customers. A tool that helps determine the power of microenvironment of a business is Porter’s Five Forces of competitive Position Model. Porter analysis can assist a business with understanding the potential for new product development the attractiveness of a particular market segment or the potential to reduce costs of supply or distribution among many applications. Macro environment The macro environment includes societal forces that are essentially uncontrollable and influence the microenvironment of a business. The macro environment contains the following variety of sub-environments are economic, social and cultural, competitive, legal, political and technological.